Thursday 21 June 2012

Jackson Brown: "The Load-Out" (1977)




"The Load-Out" is a song by Jackson Browne from his 1977 album Running on Empty. It is a tribute to his roadies and fans. The song was recorded live at Merriweather Post Pavilion in Columbia, Maryland.

According to wikipedia, "The Load-Out" describes the daily practices of a band and its road crew on a concert tour, and the emotions evoked throughout such an endeavor. The first three verses of the song consists of Browne singing and playing piano with David Lindley playing steel guitar. They are later joined by a synthesizer, followed by the rest of the band. Eventually "The Load-Out" segues into a fitting interpretation of Maurice Williams' 1960 hit "Stay," sung by Browne, Rosemary Butler, and Lindley.

Many radio stations played "The Load-Out" and "Stay" together as a medley and although it wasn't released as a single, "The Load-Out" charted as a tag-along to "Stay" on the singles charts based on airplay.

- Lyrics:

Songwriters: BROWNE, JACKSON / GAROFALO, BRYAN
(by Jackson Browne & Bryan Garofalo)
Now the seats are all empty
Let the roadies take the stage
Pack it up and tear it down
They're the first to come and last to leave
Working for that minimum wage
They'll set it up in another town
Tonight the people were so fine
They waited there in line
And when they got up on their feet they made the show
And that was sweet--
But I can hear the sound
Of slamming doors and folding chairs
And that's a sound they'll never know
Now roll them cases out and lift them amps
Haul them trusses down and get'em up them ramps
'Cause when it comes to moving me
You guys are the champs
But when that last guitar's been packed away
You know that I still want to play
So just make sure you got it all set to go
Before you come for my piano
But the band's on the bus
And they're waiting to go
We've got to drive all night and do a show in Chicago
Or Detroit, I don't know
We do so many shows in a row
And these towns all look the same
We just pass the time in our hotel rooms
And wander 'round backstage
Till those lights come up and we hear that crowd
And we remember why we came
Now we got country and western on the bus
R and B, we got disco in eight tracks and cassettes in stereo
We've got rural scenes & magazines
We've got truckers on the CB
We've got Richard Pryor on the video
We got time to think of the ones we love
While the miles roll away
But the only time that seems too short
Is the time that we get to play
People you've got the power over what we do
You can sit there and wait
Or you can pull us through
Come along, sing the song
You know you can't go wrong
'Cause when that morning sun comes beating down
You're going to wake up in your town
But we'll be scheduled to appear
A thousand miles away from here


(c) 1977 SWALLOW TURN MUSIC & GIANNI MUSIC
[ Lyrics from: http://www.lyricsfreak.com/j/jackson+browne/the+load+out_20068514.html ]
The Load-Out lyrics © Jackson Browne/Swallow Turn Music/Night Kitchen Music/Open Window Music


Monday 18 June 2012

The World According To John Coltrane




John William Coltrane (also known as "Trane"; September 23, 1926 – July 17, 1967[1]) was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes in jazz and later was at the forefront of free jazz.

He organized at least fifty recording sessions as a leader during his recording career, and appeared as a sideman on many other albums, notably with trumpeter Miles Davis and pianist Thelonious Monk.

As his career progressed, Coltrane and his music took on an increasingly spiritual dimension. His second wife was pianist Alice Coltrane, and their son Ravi Coltrane is also a saxophonist. Coltrane influenced innumerable musicians, and remains one of the most significant tenor saxophonists in jazz history.

According to wikipedia; he received many posthumous awards and recognitions, including canonization by the African Orthodox Church as Saint John William Coltrane. In 2007, Coltrane was awarded the Pulitzer Prize Special Citation for his "masterful improvisation, supreme musicianship and iconic centrality to the history of jazz."


Saturday 10 September 2011

Unkle Bob: "Put A Record On" (2007)




Unkle Bob is a band based in the UK, formed in and around Glasgow University. Led by singer/songwriter Rick Webster, Unkle Bob have variously been compared to acts as diverse as R.E.M., Prefab Sprout and Radiohead.

Their debut album Sugar & Spite was released on October 16, 2006 on Friendly Sounds / Mother City – a label set up by James guitarist/violinist Saul Davies and Aaron Moore (Ministry of Sound/EMI). They released a double single entitled "Satellite/Bad Dream" on April 5, 2009.

Unkle Bob toured with The Feeling, February 2007 (Germany), The Proclaimers, September 2007 (UK/Ireland), and North America with James in September/October 2008. They embarked on another tour in autumn 2009 with British vocal quartet The Vagabond Trills. They toured with Goo Goo Dolls, Fall 2010 (United Kingdom).

Unkle Bob released their second album, Shockwaves, in 2010. It includes 3 tracks produced by Ken Nelson.


- Lyrics:

I put a record on
Put it on and sing along with you
Sing along with you
And that's okay by me
That's okay 'cause in a way I'm free
In a way I am free


And you don't have to sympathize
I will try and dry my eyes

And I'm okay if we're drinking
Grab a beer and disappear with me
Disappear with me
And you don't, you don't have to sympathize
I will try and dry my eyes

And I put a record on
Put it on and get it on with you
Get it on with you

This time you'll find some other gonna mess your mind
It's too late or too soon
Some other gonna come too soon

Put it on
I will try and dry my eyes
Put it on
Am I something you despise?
Put it on
I will try to dry my eyes

I put a record on
I put a record on
I put a record on
Too soon

Put it on
And I will try and dry my eyes
Put it on
But am I something you despise?
Put it on
I will try to dry my eyes, my love



Friday 2 September 2011

Sinead O'Connor & Terry Hall: "All Kinds of Everything" (1998)




"All Kinds of Everything" is a song written by Derry Lindsay and Jackie Smith which as performed by Dana won the Eurovision Song Contest 1970. "All Kinds of Everything" represented a return to the ballad form from the more energetic performances which had dominated Eurovision the previous years. Dana sings about all the things which remind her of her sweetheart, with the admission at the end of every verse that "all kinds of everything remind me of you". The recording by Dana became an international hit.

Sinéad O'Connor and Terry Hall recorded "All Kinds of Everything" for the 1998 album A Song For Eurotrash; the track was also featured on O'Connor's 2005 release Collaborations.


- Lyrics:

Snowdrops And Daffodils,
butterflies And Bees,
sailboats And Fishermen,
things Of The Sea,
wishing Wells And Wedding Bells,
early Morning Dew,
all Kinds Of Everything
remind Me Of You.

seagulls And Aeroplanes,
things Of The Sky,
winds That Go Howling,
breezes That Sigh,
city Sight, Neon Lights,
grey Skies Or Blue,
all Kinds Of Everything
remind Me Of You.

summer Time, Winter Time,
spring And Autumn Too,
monday, Tuesday, Everyday,
i Think Of You.

dances, Romances,
things Of The Night,
sunshine And Holidays,
postcards To Write.

parting Trees, Autumn Leaves,
snowflake Or Two,
all Kinds Of Everything
remind Me Of You.

summer Time, Winter Time,
spring And Autumn Too,
seasons Will Never Change
the Way That I Love You.

dances, Romances,
things Of The Night.

sunshine And Holidays,
postcards To Write,
parting Trees, Autumn Leaves,
a Snowflake Or Two.

all Kinds Of Everything
remind Me Of You.

all Kinds Of Everything
remind Me Of You.



Playing For Change: "Don't Worry" (2008)




"Don't Worry" is the first original Song Around the World featured by Playing For Change. It was written by Pierre Minetti in Barcelona - Spain, and speaks of the unity we all share on this planet.

As the song states: "Let's don't worry my brother, in this world we are all the same, we must find peace..." This video features over 20 musicians from 4 continents who had never met in person, but are connected through the message and the music.


- Lyrics:

Let's don't worry my brother
in this world we are all the same
we must find peace
we must find it together
is not far away from your heart
you've got the good vibration

let your heart follow the rhythm
when the voice give you emotion
you have fulfill peace

When the butterfly dances in the sky
When you want to sing what you like
you've got the good sensation
you've got the good sensation
you've got the good vibration

you've got the good vibration

lets don't worry my brother
in this world we are all the same
we must find peace
we must find it together
is not far away from your heart
you've got the good vibration
you've got the good vibration
you've got the good vibration




Doris Day: "Whatever Will Be, Will Be (Que Sera, Sera)" (1956)




"Que Sera, Sera (Whatever Will Be, Will Be)", first published in 1956, is a popular song which was written by the Jay Livingston and Ray Evans songwriting team.

The song was introduced in the Alfred Hitchcock film The Man Who Knew Too Much (1956), starring Doris Day and James Stewart in the lead roles.

Day's recording of the song for Columbia Records (catalog number 40704) was a hit in both the United States— where it made it to number two on the Billboard Hot 100 — and number one in the UK Singles Chart. From 1968 to 1973, it was the theme song for the situation comedy The Doris Day Show, becoming her signature song.

It reached the Billboard magazine charts in July 1956. The song received the 1956 Academy Award for Best Original Song with the alternative title "Whatever Will Be, Will Be (Que Sera, Sera)". It was the third Oscar in this category for Livingston and Evans, who previously won in 1948 and 1950. The title sequence of the Hitchcock film gives the song title as Whatever Will Be. It was a #1 hit in Australia for pop singer Normie Rowe in September 1965.


- Lyrics:

When I was just a little girl
I asked my mother what will I be
Will I be pretty will I be rich
Here's what she said to me

Que Sera Sera
Whatever will be will be
The future's not ours to see
Que Sera Sera
What will be will be

When I grew up and fell in love
I asked my sweetheart what lies ahead
Will we have rainbows day after day
Here's what my sweetheart said

Que Sera Sera
Whatever will be will be
The future's not ours to see
Que Sera Sera
What will be will be

Now I have children of my own
They ask their mother what will I be
Will I be handsome will I be rich
I tell them tenderly

Que Sera Sera
Whatever will be will be
The future's not ours to see
Que Sera Sera
What will be will be
Que Sera Sera


Brotherhood Of Man: "Save Your Kisses For Me" (1976)




"Save Your Kisses for Me" was the winning song of the Eurovision Song Contest 1976, performed for the United Kingdom by Brotherhood of Man in The Hague, Netherlands. The lyrics and music were written by Tony Hiller, Lee Sheriden, and Martin Lee, the latter two being members of the band. This was the third consecutive occasion on which a group had won the contest.

"Save Your Kisses for Me" was originally written by member Lee Sheriden in August 1974. On bringing the song in to the next songwriting session, others thought that the title was clumsy and reworked it into "Oceans of Love". Sheriden was unhappy with the changes and the song was shelved. A year later when it came to coming up with songs for the next album, they discovered that they needed one more song and Sheriden again put forth "Save Your Kisses for Me". This time it was accepted, as he later recalled:

"I'd had a year to think about it, I knew exactly what I wanted to do on the arrangement, the glockenspiel on the beginning and the big 12-string acoustic guitar and the strings, and then came the day to record the song...It was about midnight and I sang it and it went well. I could see everyone behind the glass panel getting excited and I thought great, they all really like the song, and as I finished I was waiting for them to press the button so they could speak to me and say 'great, we've got a hit' or whatever, and the person pressing it said: 'Lee, we think Martin should sing this song'. But I didn't mind because Martin came in and sung it to perfection."

Soon after, manager Tony Hiller was keen for the group to try for Eurovision, now that the qualifying rounds had changed in the UK. Up till now, a singer was nominated to perform, but for 1976 it was opened up to different singers to enter their own songs. Brotherhood of Man put forward "Save Your Kisses for Me" and it was accepted as one of the 12 finalists. It won A Song for Europe on 25 February 1976, beating second-placed Co-Co by just two points. The song was released as a single and reached number one in the UK Charts two weeks before the Eurovision final, due to be held on 3 April.


- Lyrics:

Though it hurts to go away
It's impossible to stay
But there's one thing I must say before I go
I love You --you know
I'll be thinking of You in most everything I do
Now the time is moving on
And I really should be gone
But You keep me hanging on for one more smile
I love You --all the while
With your cute little way
Will You promise that you'll save your

Kisses for me
Save all your kisses for me
Bye bye baby
bye bye
Don't cry honey don't cry
Gonna walk out the door
But I'll soon be back for more

Kisses for me
Save all your kisses for me
So long honey so long
Hang on baby hang on
Don't You dare me to stay
Cause You know I'll have to say

That I've got to work each day
And that's why I go away
But I count the seconds till I'm home with You
I love You --it's true
You're so cute honey -gee
Won't You save them up for me -your

Kisses for me
Save all your kisses for me
Bye bye baby bye bye
Don't cry honey don't cry
Gonna walk out the door
But I'll soon be back for more

Kisses for me
Save all your kisses for me
So long honey so long
Hang on baby hang on
Don't you dare me to stay
Cause you know
You've got to save your

Kisses for me
Save all your kisses for me
Bye bye baby bye bye
Don't cry honey don't cry
Won't You save them for me
Even though you're only three...